Random thoughts on photography
Instagram! 05/09/2012
I recently discovered Instagram. Yeah, yeah, 30 million people did discover it before me, which is an indicator of how far I am from anything that is termed cutting edge. Anyway, armed with my iPhone 4, it's been tremendous fun using the app. I'm again at the stage I was after buying my first camera, aggressively hunting out opportunities to take photographs anytime, anywhere. Other than the fun aspect, one good value add of instagram is that one learns how to compose effectively within a square frame, which is something new for me. Given my current excitement levels, I have finally taken the leap and added a full page of instagram images to this site (check the "Instagram images" link above). I hope you like these images as much as I enjoyed creating them. Look forward to your comments. 1 Comment For people new to photography 04/03/2012
After buying my first DSLR(Nikon D80) in 2007, I spent almost two years shooting totally in auto mode. The photos weren't too bad at that time, but are a bit embarrassing to see now. It was only much later that I started discovering other things that my camera could do and learnt how to better control the photographs I was taking. Recently I met up with a colleague who wanted to learn how to move out of auto mode, & wrote a small note for him on this. I'm sharing that note here, with the assumption that some people who visit me are relative newbies for whom this may be useful. Of course, this is very basic stuff, so most of you would not need to read this post at all. Here goes: Is your photography still on auto mode? This is for those people relatively new to photography, who would like to get more control over their shots. The simplest method I can suggest is to move to shooting on the “aperture priority” mode from auto. I have personally found this to be the easiest way of taking photographs that one can actually control to deliver an end product that one visualizes. Very simply, aperture is how large is the opening in your lens through which light strikes the image sensor in your camera. Just as the pupils of our eyes dilate in order to let in more light in a darkened room, and become narrow slits when you suddenly step into the bright sunlight, the aperture of the camera opens up to a lesser or greater extent depending on the intensity of the light. The interesting side-effect of this changing aperture in cameras is that it directly impacts the depth of field of the image that you are photographing. You have probably seen photographs where the eyes of a person are in sharp focus while the rest of his face is out of focus. Or of flowers where the main flower stands out from the surroundings because everything else is blurred while the flower is in sharp focus. These images use a narrow depth of field to get this effect. And how does one get a narrow depth of field? Very simple actually. Just put your camera on aperture priority. Now when you move the dial, you will see the f stop reading changing. Take this down to the lowest possible level available on your camera – maybe it is 2.8. The smaller you can make this number, the more the aperture opens up to let in more light, & the narrower the depth of field that you can get. When you fix the aperture, the camera automatically adjusts the shutter speed to ensure that the image is properly exposed. Fundamentally, the more the aperture opens, the higher the shutter speed needs to be in order to ensure that the amount of light striking the sensor just enough to ensure proper exposure of the image. Once you have adjusted the aperture, all you need to do is choose your subject, aim, compose your picture, and shoot! Here is an example of a shot where I used a narrow depth of field to get just one of the idols in focus, while keeping the others blurred. Doing this helps the eye focus on the subject that you want to highlight. Gods in waiting © Jishnu Changkakoti Conversely, if you are shooting a photograph of a large group of people standing in 3 or 4 rows, your objective is to ensure that all the people are in focus, whether they are right in front or standing at the extreme back. To ensure that this happens, do the reverse, i.e. turn the dial so that the f number becomes larger and larger – maybe take it up to 16 or 20. The larger you make this number, the less the lens aperture opens, and the higher the depth of field you can get. So by making this simple change in your camera setting from “auto” to aperture priority, you suddenly realize that you have a huge amount of control over the camera and the final image that emerges. To keep everything else simple, I would recommend keeping the white balance and ISO settings of the camera on auto mode, so that you don’t need to worry about any extraneous factors while shooting. Beyond this, following one simple composition rule can help make your photographs look much better. This is the “rule of thirds”. Most people starting off on photography put their subject right in the centre of the image and shoot away. While this helps in getting well focused images, the net effect is generally a bit boring. Plus keeping the person right in the centre ensures that she is actually obscuring the beautiful Taj Mahal behind her. Following the rule of thirds is an easy way to make your pictures look better. What this rule says is that if you divide your image into equal thirds, both horizontally and vertically, & keep your subject in the intersection of the 1/3rd or 2/3rd lines, the composition looks much more pleasing. Take a look at the photograph below for an example of using the rule of thirds. At rest © Jishnu Changkakoti Happy shooting! One of my photographs was shortlisted as a nominee in the landscape category of Better Photography's Photographer of the Year contest. Unfortunately, I didn't end up winning, but it feels good to be nominated at least :-). Here is a link where you can see the nominees and winning photographs - betterphotography.in/2012/01/31/poy-2011-nominees/ This is the photograph which made it to the nominee list. Kashmir 11/04/2011
While growing up in the seventies in India, Kashmir was the only hill station that one knew of, & this beautiful state was showcased to the hilt in the romantic movies of Shammi and Shashi Kapoor. Kashmir was engraved in all our minds forever as a heaven on earth thanks to the immortal lines uttered by Jehangir - " Gar firdaus bar rue zameen ast, hameen asto, hameen asto, hameen ast" translated as "If ever there is paradise on earth, it is here, it is here, it is here!". After almost twenty years of trouble, Kashmir has seen a rare summer of peace this year. We were lucky enough to be able to take advantage of this, and paid a short visit to Srinagar last week. It is the fall season there now, and the entire state is currently a riot of colours. From a pre-dawn shikara ride to see the floating market, to plucking luscious apples from orchards to horse rides in the lovely meadows of Pahalgam, we tried to squeeze in as much of the state as we could in the three brief days of our stay there. And the state totally lived up to its reputation. Lovely weather, beautiful landscapes, friendly and beautiful people - Kashmir is all this and more. I hope that Kashmir remains peaceful from now on so that the people can prosper after so many years of strife. And of course, I do hope that we will be able to go back to visit this beautiful pace time and again. Hope you like the photos of Kashmir that I have loaded on this site. Look forward to your feedback. Some more good news. Four of my photographs have been selected and are currently being exhibited in the Russian Centre of Science and Culture up to 21st October. This exhibition is to showcase photographs of " twin cities" of India and Russia, i.e. Delhi and Moscow, Mumbai and St. Petersburg, and Chennai and Volgograd. Here is the official exhibition poster, followed by my images that are being displayed. Hope you like them. Our exhibition 09/06/2011
Our exhibition got written about in the Hindu. Here is the article. Thinking out of the boxSHARE · PRINT · T+ Works by Anidra Hom ChaudhuriAn artist, often quite unwittingly, is the conscience keeper of a society. He fathoms depths that his peers cannot even begin to dive into, his passion sparked off with the slightest stimulation. Burdened as he is by the emotional depth inherent in his nature, he manifests that what he perceives through his art. As Michelangelo said, a man (read artist) paints with his brains and not with his hands. A photography exhibition soon to be unveiled in New Delhi drives home just this point. Titled “From Infinitesimal to the Infinite”, this exhibition features the works of Delhi-based photographers Anidra Hom Chaudhuri, Jishnu Changkakoti and Prerna Jain. Through this exhibition, the trio aims to explore life from diminutive dimensions to transcendental terrains and into interminable expanses. Proceeds from the sale of the photographs will go to Sarthak Prayas, an NGO working in sectors such as education, health and welfare of senior citizens in the National Capital Region. The exhibition, which will be up from August 23-25 at the Convention Centre Foyer at India Habitat Centre, Lodhi Road, was conceived with the aim of exploring “divergent paths of photography”. So, while Prerna introduces us to artistic abstraction, Jishnu explores life through panoramic vistas and landscapes. Anidra, adding the third dimension, attempts to “document the way people live their lives,” capturing life as it happens. “So, we journey from the micro to the vast and into the third dimension, going beyond everyday life into the realm of the ethereal,” says Jishnu. The three are very different in their approach to art, just as they are in different professions. Prerna, married for 35 years, is a painter, sculptor, photographer and avid blogger — one of the first bloggers in India, hooked right at the onset. Anidra, originally from Silchur, Assam, is a journalist, while Jishnu works as a manager with a U.S.-based company. Prerna ‘discovered' photography two years ago. A “natural artist” as her friends like to call her, she finds her penchant in abstract photography, especially floral abstract. Colours, shapes and depth have a special attraction for her. Most of her work is an exploration of beauty with detailed or macro photography. “Too many things in the frame confuse me. With macro I can focus my attention on the details and explore.” “With painting you have to be patient whereas with photography you are rewarded with instant gratification,” says this mother of two girls doing their Masters. For Anidra, what started out as toying around a simple point and shoot camera (his father's Rangefinder was strictly out of bounds), blossomed into a life-long passion. His genre, he says, is photo documentary, where he documents people and places because “there is a possibility that these beautiful things may not be there tomorrow.” Though his renditions are usually black and white, his love for vibrant colours and energy has taken him to many fairs and festivals, which quite predictably are his favourite background. He has done a series on fairs and festivals such as Holi in Mathura, Aarti in Varanasi, Hola Mahala in Punjab and now wants to work on the Baul singers, jatras and jallikattu. “We as photographers are dependent on the society, and photography, in addition to giving me an expression, gives me a chance to give back to the society,” he says. A true photographer, according to him, is one who can “click photographs without using the camera. When you start seeing frames all around you — that is when the photographer in you has really come of age.” Jishnu, meanwhile, is an avid traveller, and being with a company that gives him a chance to travel frequently, he has no complaints. Growing up in Shillong hills nurtured a life-long fascination for nature and through his years of travelling he explored nature and landscape through photography. This engineering and management graduate did a short-term correspondence course in photography while in the U.S. and then trained with Delhi-based Munish Khanna, where he met Prerna and Anidra. Having successfully participated in exhibitions in Delhi in the past, for Jishnu the most important element of art is the onlooker. “When people walk into a gallery, they should see your work and appreciate it. Being pedantic about the technique alone does not help. An onlooker, an ordinary person, must appreciate the composition at the very basic level.” On their collaboration with Sarthak Prayas, he says, “Since all three of us do not rely on art for a living, we try and help people through our art.” The photographs, priced between Rs.8000 and 18000, will also be put up for sale at a virtual gallery on the NGO's website (www.sarthakprayas.org) for donors to buy from there. Here is the official poster for our next exhibition starting day-after-tomorrow. For those of you who live in Delhi, please drop in if possible. Thanks. My next exhibition 08/01/2011
I am very happy to announce that along with two of my fellow photographers, I have got the opportunity to have an exhibition of my work. Each of us will put up 10-12 photographs. What is exciting is that I will finally get a chance to display a large canvas print. Ever since I saw the canvas prints that my teacher Munish Khanna had displayed during his last exhibition, I've been itching for a chance to do the same. And luckily, the chance has come much earlier than expected! Even better, we are using this exhibition to raise funds for a very deserving charity NGO Sarthak Prayas(www.sarthakprayas.org). This NGO is doing very good work in a number of areas, & I am hoping that the response to the exhibition is good so that we are able to generate sufficient funds for them. For people who may not be able to attend the exhibition, we are planning to host a virtual gallery of our exhibited images on Sarthak Prayas's facebook page so that interested people can buy the prints online too. The official press release of the exhibition is given below. A joint fine art photography exhibition “ From Infinitesimal To The Infinite” by Anidra Hom Chaudhuri, Jishnu Changkakoti and Prerna Jain will open on 23, 24 and 25 of Aug at the Convention Centre Foyer at India Habitat Centre, Lodhi Road, New Delhi - 110003. In this exhibition, the work of three artists who explore divergent paths of photography is on display. Be introduced to the myriad colours and shapes of the infinitesimal through Prerna's macro and abstract photography, journey through the hues and colours of human life through Anidra’s work, and marvel at the beauty of infinitely large vistas of the earth captured in Jishnu 's photographs . These photographers, who are part of the Delhi based World Photography Partners, have earlier been a part of different successful exhibitions at the Habitat Centre and Alliance Francaise De Delhi. All profits from this exhibition will go to support Sarthak Prayas, an NGO working for Voluntary Blood Donation Promotion, HIV/AIDS, Thallassemia, Children Education and Senior Citizens Welfare (www.sarthakprayas.org) Photographers exhibiting- Anidra Hom Chaudhuri- www.flickr.com/photos/anidrahomchaudhuri/ Jishnu Changkakoti- www.jischang.com Prerna Jain- http://prernasphotographs.com/ Munsyari - a hidden paradise 07/19/2011
While Ladakh has obviously been a mind-blowing trip, the amazing thing is that it still has not succeeded in wiping away the memories of another place that we visited a year ago. This place is in a way the diametric opposite of Ladakh. While the vast vistas of Ladakh numb the viewer with their majesty and beauty, Munsyari's charms creep up on you almost without you realizing it. Munsyari is a very small town in the northernmost reaches of Uttarakhand. It is practically the last outpost before the Tibet border. Till the fifties, before China decided that Tibet was its property, Munsyari was an important stop-over on a trade route between India and Tibet. Of all things, salt was a highly valued commodity that was traded along this route! Alpine meadows, gurgling and gushing streams, snow-clad mountain peaks - Munsyari has all this and more. We spent 3 lovely days here exploring the charms of this beautiful location. Thanks to its relative inaccessibility (600+ km from Delhi over a road that seems proud to show off its collection of boulders, streams and mud to motorists, Munsyari is another of those rare places that has not yet been crassly commercialized. Check out some photographs of Munsyari on my flickr account at http://www.flickr.com/photos/jischang/sets/72157622509319899/. And to really enjoy the flavour of our trip with some beautiful descriptions of Munsyari as well as the other places we visited, here is a travelogue by my friend Joydeep, with whose family we had made this trip.
Joydeep\'s travelogue on our Ladakh 07/13/2011
Here is Joydeep's write-up on our Ladakh trip. | About mePhotography has been my passion since childhood, though it is only over the last couple of years that I have got to learn some of the technicalities. In my other life, I am your typical cubicle slave( though you wouldn't believe it if you read my linkedin profile!), working hard to support my family and my photography. ArchivesMay 2012 CategoriesAll Connect with me on facebook
Find me on flickr - click on the images below | ||||||||||||